Project-series of three different context-specific works.

The series questioned how experimental the experimental arenas arranged by Scandinavian institutional theaters really are. In Stockholm in 2002 and in Porsgrunn in 2002, we made a piece which started up as an autonomous psychological realistic performance (the concept outline set up by the curators). The performance then evolved into a mirroring of the situation it was being shown at, and thus changing the autonomous piece into a relational concept. The project divided the audience, and caused some angry theater workers to ask us to follow the regulations, and write understandable stories next time.

A summary of the work with the actors and the text was presented at Black Box Theater and BIT-Teatergarasjen in 2003 under the name erase my skin. These contexts - being contrary to the platforms the project was originally made for - removed the relational aspect of the project.

Concept and direction: Goro Tronsmo

With: Liv Mjönes, Sara Turpin, Julia Zyto, Zandra Eriksson, Niklas Järvklo, Anders Borchgrevink, Goro Tronsmo, Mira Eklund, Mats Danielsson

 

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goro tronsmo

[stageproductions]

mad

erase my skin

hold me

auvirkomma veiklinga

und• er |ˈəndər| |ˌʌndə| re• alˈrē(ə)l| |ri(ə)l| |riːl|

Muscle Temple

 

[videoworks]

Untitled documentation I

Untitled documentation II

a city is a body (I am a city)

enter one

 

[scripts and texts]

und• er |ˈəndər| |ˌʌndə| re• alˈrē(ə)l| |ri(ə)l| |riːl|

story 1 |ˈstôrē|

 

[videoprojects based on performances]

me on hold

cut outs 

 

[exhibitions]

erase my skin (2002-2003)